This brings together neoclassical theatres, of classical French or Italian or neoclassical French inspiration. In Europe, this type corresponds to the economic and cultural rise of the bourgeoisie. There, as in Brazil, the theatres are larger than those in the previous group, and also more comfortable. Inside there is a concern for luxury, above all in the decoration. Theatrical symbology, based on Graeco-Roman mythology , is abundant. Externally they are free-standing, and their architecture is intended to give emphasis and make them stand out from the surrounding urban environment. In the final years of the Brazilian Empire, women at last took up their place in the stalls.